UFA-Dabei 851/1972 14.11.1972

01 Bonn: Initialling of the basis contract Egon Bahr and Michael Kohl sit down at table. Rear large tapestry. Delegation members are rallying behind Bahr and cabbage. At the same time, both sign the contract. A part of the contract with the text: "for the Federal Republic of Germany and the German Democratic Republic." Including two seals. Kohl's talking at the table sitting o-ton: "The likely historical significance of the Treaty is that after the transit agreement and the contract now a comprehensive, permanent basis could be prepared, to shape relations between two independent States with their opposing social order." Bahr's talking at the table sitting o-ton: "my thanks to the openness to constructive results of the objectivity that have been respected at all at times inevitable hardness of confrontations and the will. We do not hide the fact that there are unbridgeable differences on fundamental issues and share will be also."

02. Germany: DGB touchstones Brandt talks, large, close, o-ton: "The Government Alliance of Social Democrats and free Democrats has proven itself." Barzel talks big, close, o-ton: "Brandt has failed and is failing, ladies and gentlemen. And if you can't do it, at the same time secure the jobs and the value of money, then to cede people who cannot and are on leave, to which proved how, ladies and gentlemen." Enthusiastic audience: raises a boy from the audience "Lower Saxony Zeitung" high with Barzel as the cover image. In addition to Barzel is Dieter Rollmann, both half total. Barzel surrounded by CDU hostesses. DGB-chef cousin talks about 8 DGB touchstones on the subject of election campaign, o-ton: "His responsibility for the workers in the Federal Republic of the German Trade Union Federation has given its members, Yes, of workers, eight touchstones of the hand, so that they are able to examine the parties to what extent they are willing to realize the interests of the workforce." A photo of Gustav Heinemann on the table along with several flags. The hands by cousin. DGB Congress in July. Cousin speaks o-ton: "attempts, that external trade unions stipulate that ye should do and that are not, to reject in a free society. We are committed to the democratization of economic and society." Barzel and Brandt as a listener, only heads. Brandt holds a roll of paper in front of the mouth. Georg Leber, close, great with the workers in the mine. The images by Ernst Abbe and Friedrich Naumann. Old publication: "Patriotic service". Old archive photos of the meetings during the Weimar Republic. Cousin speaks at the desk interview: "We are concerned not only the equal participation in the economy, to the involvement of employees in productive assets, to the same educational opportunities for our children, but also to the improvement of health care and health security and to environmental protection." Many tobacco pipes before him.

03. Hamburg: boat show of large headlight turns. Swivel in the exhibition space: motor boats, sailboats. A maritime antiques exhibition. Modern ship and boat equipment including signal Horn, floating island. With a replaceable press gas cartridge-equipped swim collar of that inflates in the water itself. The unsinkable boat boots in the water floating. Security storm sticks, Leuchkugelpatronen, signal devices. Complete distress rescue set, total.

04. Cologne: Fashion for father and son father and son have Tweed jackets. They are presented in the carousel. Or they have strongly patterned Caban jackets. Children on the ponies with art leather jacket. Safari-look suits for leisure. Corduroy jacket Norfolk style. Go-Kart ride.

05. Berlin: in Berlin Jazz days musicians with exercise of flute and drum and Baß. Pierre Favre speaks interview: "the Berlin Jazz days an international gathering of musicians, early jazz musicians, musicians today means first and foremost. "Yes, I think that in Europe a movement has taken place now, where you can feel the roots of European music, even classical music very well, and I think the other musicians are nowadays very aware of themselves as previously, where you simply copied the first record." Indian jazz musicians. John handy and Ali Akbar Khan observed in the sample of Don Cherry. Trumpeter sitting and playing on the carpet. The veins on the forehead and temples are thick at the bubbles. George Gruntz tells about the conception of the jazz days original sound: "a festival like the Berlin Jazz days should always be, and what is also getting out of the Jazz Festival, to be always a Festival, that first of all documented, so you should create the possibility, that the roots of jazz remain recognizable, a Festival, that informed about new trends per se and in first and foremost but also a Festival" "that should be experimented on the." Dave Brubeck, Gerry Mulligan, and Paul Desmond play together.

Initialling d. of basic contract camera: Luppa DGB touchstones (Babs) camera: Rieck, Ahsendorf Bootsausstllg. in Hamburg camera: Tietge fashion for father and son camera: Rahim Jazz days in Berlin camera: Pahl, Rühe at the beginning and end of total length

This policy: points of contention 'Initialling of the basic Treaty' after over 60 sessions and more than a thousand hours of negotiation could say they are left: Bonn, Bahr and Kohl the luster of their political workers contract negotiators initialled the Treaty concerning the basis of relations between the Federal Republic of Germany and the German Democratic Republic was provided by the politics of compensation with the East on a new basis.
Dr. Kohl: 'the likely historical significance of the Treaty is that after the transit off come and the forwarding contract now a comprehensive, permanent basis could be prepared, to shape relations between two independent States with their opposing social order.'
Staatssekr. Bahr: ' thanks to the openness of the ' objectivity, which have been respected at all at times inevitable hardness of confrontations and the will to achieve constructive results. We do not conceal that there are unbridgeable differences on fundamental issues and share will be also.'
' Socio-political demands of the DGB in the form of 'Touchstones'.
Chancellor Brandt: 'the Government Alliance of Social Democrats and free Democrats proved.'
Dr. Barzel:' Brandt has failed and is failing, ladies and gentlemen. And if you can't do it, at the same time secure the jobs and the value of money, then to cede people who cannot and are on leave, to which proved how, ladies and gentlemen.'
Polarization, eye-catching indicator when the struggle for power on the Rhine. In the hot phase, the opponents often repressed their arguments in favor of phrases. Still, The campaign ' ' 72 belonged to the political. Voters, organisations, churches and trade unions engaged in ever more for policy.
DGB Chief Vetter: ' off his responsibility for the workers in the Federal Republic of the German Trade Union Confederation gave its members, Yes, of workers, eight touchstones of the hand, so that they are able to examine the parties in how far they are willing to realize the interests of the workforce.'
Already at the DGB Congress DGB Chief Vetter defended the right to opinions on the current policy in July of this year: ' experiments, which external trade unions stipulate that ye should do and that are not, to reject in a free society. We strive for the democratization of economic and society.'
A look at the history motivates the claim. Already in 1890, work committees fought for participation. First for wage and protective measures. Ernst Abbé and Friedrich Naumann were champion at the turn of the century.
Workers committees of holdings of at least 50 workers were formed during the first world war. The Weimar Constitution recognized operational codetermination. The goal of social justice, is today - and not just during election campaigns.
'We are concerned not only the equal participation in the economy, to the involvement of employees in productive assets, to the same educational opportunities for our children, but also to the expansion of health care and health protection and to protection of the environment.'

This shipping: Help in distress free time on the water. At the international boat show in Hamburg record signaled the new trend: more and more citizens discover the recreational value of water, wind and waves and use their savings to buy a motor boat or a yacht for a vacation rental. The sales boom in Hamburg surprised the boat industry as well: by the rush of buyers extended delivery dates for particularly sought-after models on two years. A maritime antiques fair and an attractive offer of equipment had incited captains uusätzlich the appetite of potential leisure.
Security on Board was part of the Hamburg trade fair program. Because the number of reckless, ill-equipped boat owners has soared. Distress rescue ships had to mountains in the last year alone 800 water sports enthusiasts in the East and the North Sea. The equipped with an interchangeable crimping gas cartridge swim collar that inflates in the water itself, belongs to the distress equipment which although caused extra costs, but is essential.
For the first time presented in Hamburg: the unsinkable boat boots. You need him in contrast to previous models after capsizing in the water no longer to remove. Who wants to risk his life at sea, could make a full set of distress to the largest maritime dry show in the world.

This fashion: Father and son of in Germany male junior breaks with the Mansgrau mode of the fathers. The ten to fourteen years have become fashion-conscious and demanding. You want to have, what does the older brother: the athletic-cut Tweed jackets or the strong patterned Caban jacket - a big hit in the rapidly expanding market for children's fashion. The young young and young-at-heart man feels from the small Banda obtained: partner-look for the autumn and winter season.
Spertliche synthetic leather jackets: they sin in the agreement.
Almost tailored suits in Safari look for leisure spree - inspired by the classic coat from England.
Cord remains preferred material: a jacket with bellows pockets in the Norfolk style. Inexpensive, comfortable and hard-wearing: the parka with Ausknöpfen lining in canvas or corduroy with fake fur collar. The boy fashion of yesteryear seems finally passé. The trend to the adult-fashion - in this season. The new children's fashion label more effort, better workmanship and quality.

This music: Jazz days Berlin Berlin Jazz days - a festival that was live up its reputation in the ninth year of its existence, apart from Newport ' most important jazz event in the world to be.'
The weights but have shifted: the jazz was never as independent by the United States as haute. Never played so many European musicians in Berlin this year. One of them, Pierre Favre from the Switzerland. ' The Berlin Jazz days an international gathering of musicians, early jazz musicians, musicians today, yes means first and foremost, I think that in Europe a movement has taken place now, where you can feel the roots of European music, even classical music very well, and I think the other musicians are nowadays very aware of themselves as previously, where you simply copied the first record.'
The second important element: the fusion of Oriental and African musical elements with the traditional styles and playing styles of jazz. 'Jazz meets India' with John handy and Ali Akbar Khan, observed during the rehearsal.
Don Cherry, formerly one of the most important trumpet player of the new jazz, today one of the staunch advocates of the Afro-Indian sound in jazz. According to the concept of jazz days we asked its artistic director, George Gruntz: ' should actually always a festival like the Berlin Jazz days, and what is also getting out of the Jazz Festival, to be always a Festival, that first of all documented. so you should create the possibility, that the roots of jazz remain recognizable, a festival that informed about new trends per se and in first and foremost but also a Festival, can be experimented on.'
Closer to the traditionalists of as at the experimental avant-garde jazz: Dave Brubeck, for the first time with Gerry Mulligan and Paul Desmond.

Date of Release:

14.11.1972

Year of Production:

1972

Camera Work:

Luppa; Pahl, Georg; Rieck, Hans Jürgen; Rühe, Bernd Michael; Ahsendorf; Tietge

Rights Holder:

Federal Republic of Germany

Producer:

Deutsche Wochenschau GmbH

Film Format:

35 mm

Colour:

b/w

Audio:

Sound

Languages:

German